Monday, April 21, 2014

The Greatest Easter Painting Ever Made

Peter and John Running to the Tomb 1898
 April 18, 2014
by Elise Ehrhard

Tucked away in a central Parisian museum that was once a railway station, there hangs an Easter painting quite unlike any Gospel masterpiece created before or after it. It is not painted by a Rembrandt or a Rubens or the patron saint of artists, Fra Angelico. The painting is the work of a little-known Swiss painter. For those who make a trip to see it, viewing the canvas is a special spiritual experience in their lives.

The work does not even show the risen Jesus. It merely portrays two witnesses, Jesus’ oldest and youngest apostle. The youngest who was the only man brave enough to stay by Jesus’ cross and the only one who did not die a martyr’s death as a result of it. The oldest apostle who first denied Jesus in fear, yet ultimately chose to be crucified upside down by the Roman authorities rather than deny Christ’s resurrection.

In “The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection” by Eugène Burnand, John clasps his hand in prayer while Peter holds his hand over his heart. The viewer feels the rush as their hair and cloaks fly back with the wind. They are sprinting towards discovery of the moment that forever altered heaven and earth. As you look at it, engage for a moment in what the Catholic blogger Bill Donaghy calls “the visual equivalent of Lectio Divina.” As Donaghy notes, “This Resurrection scene does not put us before still figures near a stagnant stone, or figures standing with stony faces in a contrived, plastic posture, pointing to an empty tomb. This scene is dynamic; we are in motion.”... the rest


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